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78 items / 34.211,00 €
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    VASE PIERO FORNASETTI

    380,00 €

    Vase by Piero Fornasetti from the 1960s.

    A vase depicting the face of a Moor, created by the renowned Italian artist Piero Fornasetti. An elegant and highly decorative addition.

    Piero Fornasetti (1913-1988) was a versatile Italian artist who is challenging to categorize within a specific period. He operated based on his principles, without adhering to the norms and designs of his time. Engaging in various aesthetic disciplines, including painting, drawing, graphic design, and product design, Fornasetti reached the height of his creativity in the 1950s. Encouraged by Gia Ponti, he opened his studio in Milan, where he designed and crafted everyday objects enriched with decorations that brought art into the homes of ordinary people. Recognized as an artist ahead of his time, Piero Fornasetti made a significant contribution to the renewal of taste and the creation of a unique and immediately recognizable visual language in contemporary culture.

    Dimensions: 27 x 21 cm

    Weight: 2.1 kg

    The vase is in excellent condition, with some minor wear on the gold color in certain areas.

    1 in stock

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    SKU: A793 Categories: Decor, New Stock, Premium
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    Weight 2,1 kg
    Dimensions 27 × 21 cm
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    ERGONOMIC CHAIR TAN SAD

    320,00 €

    Ergonomic chair "Do More," manufactured by Tan Sad in England for Ahrend around 1920.

    A special, rare, vintage ergonomic chair in its original condition. It was used by employees of the Opcina tramway in Opicina, making it not only an interesting industrial chair but also one with a fascinating history and story. Ahrend introduced itself to the Dutch market with a series of chairs and tables called "doe meer" (do more). They were manufactured in the Tan Sad factory in England, known for producing the first ergonomic chairs. In 1920, comfort was a significant luxury, and factory workers often sat on benches without backrests. The "Do More" chair was, therefore, far ahead of its time. As seen in advertisements from that era, it promised workers: "The ideal chair for the working person. For use in offices, drafting rooms, laboratories, for operating office machines and telephones, etc. The right support for your work." Due to its specially designed frame – the seat is adjustable in height, and the backrest can be adjusted in height and angle – it is a chair on which you can sit for hours without any issues, while also encouraging proper posture. Dimensions: 82 x 54 x 46 cm Weight: 9.2 kg The chair is in good condition, and although it could be reupholstered, the original cover adds to its sentimental value.
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    ANTIQUE PENDANT LIGHT

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    Antique pendant light fixture from the 1920s.

    An intriguing pendant light made of mercury glass, which was once used above counters in goldsmiths' and jewelers' shops to accentuate the sparkle of diamonds, precious stones, and noble metals. Now it will be an exceptional decoration above your counter or table. Due to the relief shapes on the glass itself, it is highly decorative, and it also emits beautiful light as the mercury reflects it nicely. Such lights are, of course, extremely rare and therefore highly sought after due to their fragility. Dimensions: 47 x 10.5 cm Weight: 350 g The ceiling light fixture is in excellent condition. Uses an E27 bulb.
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    SCOLD’S BRIDLE

    820,00 €

    The scold's bridle.

    The scold's bridle or brank, originating from Scotland in the 16th century, was a horrific device designed to cause shame, discomfort, and pain to its wearer. Its usage spread from Scotland to England, Germany, and other European countries. Its purpose was to shame, silence, and physically discomfort individuals who were deemed unruly or outspoken, particularly women who challenged authority or societal norms. Often, these bridles were crafted to resemble masks with distorted facial features, such as large ears, noses, or horns. Some even had bells attached to them, further humiliating the wearer and drawing attention to their presence. The bridle, worn for a minimum of several hours, prevented its wearer from eating, drinking, and most importantly, speaking. It consisted of a metal part inserted into the mouth, similar to a bit in a horse's harness, which held the tongue in place. In more severe cases, these metal mouthpieces had spikes, causing additional pain. The bridle was predominantly used as a punishment for women who were considered too vocal or contentious in public, especially widows or older women who were not under male control. It was also known as a "witch's bridle," indicating its use during witch trials to prevent accused witches from casting spells on their captors or communities. Additionally, disobedient wives could be subjected to this punishment at their husbands' request. While men could also face this punishment if perceived as a threat to the common good, it was primarily reserved for women deemed gossips, adulterers, prostitutes, or witches, as well as those who defied societal norms. The bridle served as a stark reminder of the oppression women faced and the consequences of expressing dissent in conservative societies. Remarkably, this punishment was not abolished in England until 1967, reflecting the enduring legacy of patriarchal control and the gradual progress towards women's rights. The scold's bridle serves as a poignant relic of the past, prompting reflection on the darker aspects of human history. Dimensions: 26 x 25.5 x 21 cm Weight: 3.2 kg The scold's bridle is in excellent condition, complete with a lock and accompanying key.
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    WALL LIGHT BAROVIER & TOSO

    446,00 €

    Wall light made of Murano glass from the famous Italian company Barovier & Toso, dating back to the 1950s, 20th century.

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    TORTURE COLLAR

    870,00 €

    Torture collar from the second half of the 18th century.

    An interesting object from bygone times that reminds us of the dark past of humanity. Torture devices like this one were popular since the Middle Ages and were used to humiliate, torture, and control convicts and slaves. The collar was placed around a person's neck, preventing normal movement, lying down, and overall comfort. Similar collars were also used on dogs, but without a lock, only with a buckle. In this case, the collar served to protect a dog guarding livestock from potential wolf attacks. Dimensions: 30 x 8 cm Weight: 1.1 kg Considering its age, the collar is excellently preserved, with patina that speaks to its history. It includes a lock, but without a key.
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    CHANDELIER J. T. KALMAR “SONNE”

    950,00 €

    Chandelier flush mount, designed by the Austrian designer J.T. Kalmar.

    The "Sonne" chandelier, meaning "sun" in German, is an interesting modernist fixture whose design seamlessly integrates into any contemporary space. With its simple yet sophisticated lines, this light fixture is not just for illumination; it adds a touch of style to your space. The small glass flowers at the tips further emphasize the opulence of this chandelier, which can also be used as a wall light. Austrian designer and entrepreneur Julius Theodor Kalmar was born in 1884 in Vienna to Julius August Kalmar, the founder of the eponymous company specializing in chandeliers and other objects made of cast bronze. Growing up surrounded by design due to his father and their company, Julius Theodor gained rich design knowledge from an early age. His educational journey led him to the Birmingham School of Art and the University of Applied Arts in Vienna, where he studied under the mentorship of the Secessionist architect Josef Hoffmann. After completing his studies, Julius Theodor joined his father's company in 1906 and took it over in 1913. Under his leadership, the company shifted away from the classical design of the time. Kalmar developed his distinctive design aesthetic, emphasizing the integration of form and function and combining classical traditions with innovative ideas. By the mid-1920s, his products were among the most sought after. In the 1930s, Kalmar began collaborating with the Austrian Werkbund, creating a series of glass lights with a purist aesthetic. Throughout his career, he collaborated with renowned architects such as Oskar Strnad, Josef Frank, and Oskar Wlach. In the last decade of his life, he designed numerous light collections, including the popular Atomic collection. Kalmar passed away in 1968, but the Kalmar company continues to create luxury lighting to this day. Kalmar lights can be found in prestigious locations like the Kremlin Presidential Palace and the Burj Tower in Dubai. Dimensions: 49 x 14 cm Weight: 1 kg The light fixture is in good condition, showing patina on the brass. Compatible with E14 bulbs.
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    ANTIQUE CHANDELIER

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    Chandelier from the Art Nouveau period made in Vienna, between 1900-1910.

    An exceptional Viennese Art Nouveau chandelier with five lights. Its brass frame is adorned with an elegant, linear design characteristic of the Viennese Art Nouveau movement. An extremely decorative and elegant chandelier, it is undoubtedly not just an ordinary light but an artwork that will be admired by all. Dimensions: 45 x 40 cm Weight: 3.9 kg The chandelier is in excellent condition, newly wired. For five E27 bulbs.
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    VINTAGE CONSOLE TABLE

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